Editorial: Top 7 Reasons Why DaBaby Should Be Cast In The Wesley Snipes Role For The ‘White Men Can’t Jump’ Reboot

All the ’80s and ’90s babies are probably ecstatic about the upcoming reboot of the 1992 Ron Shelton film White Men Can’t Jump — or extremely perturbed by another classic being pulverized for the new generations. However, since Hollywood is adjusting from a two-year setback induced by a worldwide pandemic, it’s expected for the IP crates to be dusted off even more in order to fulfill the insatiable demand of content hungry viewers.

With that said, I’d like to border on the edge of optimism when it comes to predicting whether a reboot, remake, or reimagined film based on a cult classic will fare well with audiences. But don’t get it twisted, I ain’t too proud to judge if the pic underwhelms, doing a major injustice to the legacy of the original.

When the announcement was made that rapper Jack Harlow would fill the role once held by Woody Harrelson in White Men Can’t Jump, I couldn’t help but wonder who would play opposite of Harlow. First of all, he’s 23-years-old (allegedly). At the time that Harrelson was cast in the iconic role as the quirky, understated baller, the actor was already in his 30s. Wesley Snipes wasn’t far behind, in his late 20s (29 if I’m not mistaken).

Apparently, Harlow nabbed the role of Billy Hoyle on his first screen test. He was the sole choice of Kenya Barris who was said to be impressed by Harlow. Casting a young rapper does significantly change the direction of the new version of White Men Can’t Jump. In fact, it opens up a door of many possibilities and if done correctly, a colossal box office performance.

In a previous article, I brainstormed a few entertainers that could possibly step into the role of Snipes as Sidney Deane. Anyone from Trevante Rhodes, Damson Idris, Daniel Ezra, Luke James or even D.C. Young Fly could suffice if they killed the audition. But then, a very controversial option popped in my head. DaBaby. Yes, that baby. The rapper whose head is always on swivel and constantly kicks up dust.

Here are the top reasons why DaBaby should be considered for the Snipes’ role.

Snipes played the role of Sidney very well. He presented a certain confidence that unapologetically exuded cockiness. From his slick comebacks to how he presented himself on the court, it was clear that Sidney had that “Kanye Komplex.” DaBaby possesses the same attitude. He clearly believes in himself and his greatness, and the best part is that it’s organic. He won’t be needing an acting coach for this part.

Complexion matters. Snipes drew in admirers because of his tall, dark, and handsome persona. And the whole Black and White dynamic played well in the buddy sports comedy. It would be a tragedy if that identifying attribute was compromised for whatever reason. Not everyone likes the same cup of tea, but DaBaby holds his own as he represents for the richer toned demographic.

Snipes has always held it down in the physical fitness area. White Men Can’t Jump was no exception. The actor maintained a refined, sculpted shape throughout filming, making his role as a street basketball player more than believable. Since DaBaby stepped on the scene, he has stayed “cut up,” often showing off his bare chest during performances.

He’s a little ballsy, yet DaBaby knows how to swoon public opinion. What other rapper in his generation has dissed the mothers of his children, fought on camera at a bowling alley, and spewed crazy words at Rolling Loud, and then, convinced most people to like him, hire him, and listen to his music anyway? He clearly has a comedic edge to himself, as displayed in his music video choices and live performance antics. DaBaby is definitely a class act with a hypnotic charming ability. So, even when he fails, he fails up.

Work ethic is one-third of the game and DaBaby has that on lock. Fully aware of the disposability of rappers nowadays, DaBaby has managed to stand out in a crowded, saturated industry and make a name for himself despite his many setbacks. His latest set of interviews are further evidence that he’s competing with himself to get better and work harder — all much-needed attributes for this role.

When an entertainer hears that they’ve been canceled, they might as well hear cash and clout. Being canceled has done the opposite of its purpose. Now, being canceled brings those who are targeted to the forefront of the industry and the top of headlines. With eyes now watching those carrying the scarlet letter “C,” most people want to see how the celebrity will win back the fans’ support and turn a “C” into a “W.” As long as DaBaby isn’t committing unforgivable acts, he can always recover by learning from his mistakes and making changes going forward. Maybe being canceled will be the very thing that draws moviegoers to the theaters to see him rebound on the silver screen.

After losing out on millions of dollars in canceled performances, no one needs a job more than DaBaby. He’s been mentioning that he’s considering acting, so this would be the perfect time to diversify his value. The very casting of him will send a powerful message of redemption. Considering he lost his father and brother within such a short span of time, perhaps under all those layers of cockiness and charisma are the raw emotions of someone who had to get it out of the mud with 10 toes down and all that jazz — perfect for the role. I’m just hoping that DaBaby will be gracious enough in his second wind to understand the purpose of his platform.

There is a disclaimer in this recommendation. The ways DaBaby treated music artist DaniLeigh and women in his life, period, are despicable displays of immaturity. Furthermore, at a certain point in his career, his addiction to drama will have to perish in order to reach higher levels. No, there’s no excuse for the Rolling Loud incident, period. With that said, the word of the day is humbleness because while that wild persona helps him stand out, Hollywood is a totally different game. Good luck, DaBaby!